Critics are absolutely burying After.Life, a dull horror flick about a woman who may be dead. And no, the stupid dot in the title is never explained. Here’s what they’re saying:
- What seems like it ought to be a vaguely silly movie “takes itself so seriously it’s practically embalmed,” writes Stephen Whitty of the Star-Ledger. Liam Neeson in particular “seems to have convinced himself that he’s in some rare, rediscovered Beckett play—Krapp’s Last Autopsy.”